V-RAPTOR™ 8K VV 35.4 Megapixel CMOS
6144 X 3240
40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
17+ stops
Motorized clear filter and precision controlled electronic ND filter
Electronic ND minimum density 2 stops, maximum density 7 stops
Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop
Interchangeable Lens Mount
Included V-RAPTOR XL PL Mount with /i Support
Supports V-RAPTOR XL Locking Canon EF Mount
Accepts DSMC Lens Mounts, but does not provide electronic communication or control.
Integrated Dual Voltage 14/26V V-Lock or Gold Mount Battery Interface
Up to 800 MB/s using RED branded or other qualified CFexpress media cards1
120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic
2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700) and 16:9
4K 17:9 (4096 x 2160) and 16:9
2K 17:9 (2048 x 1080)
Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422
LT.
4K (4096 x 2160) and 2K (2048 x 1080) up to 120 fps
Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) 60 fps.
ALUMINUM ALLOY
7.99lbs (with PL Mount, V-Lock) 8.08lbs (with PL Mount, Gold Mount)
19.5-34 V via 4-Pin DC-INS
0°C to 40°C (32°F to 104°F)
-20°C to 50°C (-4°F to 122°F)
0% to 85% non-condensing
Image Processing Pipeline 2 (IPP2)
Supports multiple simultaneous 33x33x33 3D LUT viewing
Supports multiple simultaneous CDL viewing and adjustment
Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel mic/line/+48V input via 5-pin Audio Port, uncompressed, 24-bit 48 kHz
Phase Detect and Contrast
Wi-Fi for camera control via interchangeable dual band
(2.4 GHz/5 GHz) antenna mounted to a
female RP-SMA connector
Wired control via USB-C (compatible USB-C to Ethernet adapter1 required)
or Gigabit
Ethernet allowing remote camera control, live MJPEG preview video feed and remote media offload
9-Pin 0B GIG-E (1000BASE-T)
4-Pin 00B CTRL (RS-232)
Compatible with RED Control and RED Control Pro
Regulated 12 V Outputs2
2x P-TAP Connectors (3AMP Combined)
1x Rear 2-Pin 0B (3 AMP)
1x Rear 2-Pin 0B (1.5 AMP)
1x Front 2-Pin 0B (1 AMP)
Regulated 24 V Connectors
2x Front 3-Pin Fischer (3 AMP Combined)
Proprietary top accessory port for monitoring and control
3x 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes (SDI 1/2/3)
1x 3G-SDI with 3G-SDI and 1.5G-SDI modes (EVF)
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
DSMC3 RED® Touch 7.0" LCD
IP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet1
Integrated 2.4" LCD for camera control (no preview video)
Tri-Level Genlock through BNC
Linear Timecode (LTC) through 5-Pin 0B
PTP through 9-Pin 0B GIG-E
Wireless Genlock and Timecode through Integrated Ambient Communication Network (ACN)
Access full camera controls and live preview from iOS or
Android devices.
Pro App:Operate one or multiple V-RAPTOR’s over an IP connection to synchronize settings,
manage media files locally or upload directly to FrameIO, develop custom
looks with
advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays,
multi-cam shoots, and live events, all from one central location.
Standard app available from the Apple App Store and Google Play Store.
RED Control Pro available via Apple App store only and requires additional purchase.
RED Control works wirelessly or wired via USB-C